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Colorful Threads

757 Creative ReUse Center

Grant Writer & Designer

August 2024-Present

Beth Dryer, Executive Director

This internship was supported by the Mellon Foundation.

Experience

Responsibilities

  • Facilitate communication among project collaborators and stakeholders.

  • Maintain project documents such as planning documents, meeting agendas, and contracts.

  • Collaborate with grant writing team to draft and submit proposals for funding.

  • Organize internship positions for students and artists.

  • Create content for social media campaigns.

  • Design curriculums for art-based STEM classes.

Skills

  • Project Management

  • Stakeholder Negotiations

  • Collaborative Writing

  • Grant Writing

  • Contract Writing

  • Visual Design

  • Document Design

  • Social Media Marketing

  • ​Curriculum Design

Work Samples

Reflection

My internship is the collaboration between two entities that I brought together: Project ANiMA and the 757 Creative ReUse Center. I am the interning Director of Development and Productions for Project ANiMA, an ODU faculty project aiming to support local environmental literacy for K-3rd grade students through a climate resilience puppet theater. To support this project, I sought out the 757 Creative ReUse Center as a project partner and host organization for my internship. The 757 Creative ReUse Center is a non-profit second hand arts and craft supplies store dedicated to sustainability. The center collects donated supplies and textiles from the community and offers them at affordable prices in an effort to keep waste out of landfills. They also have a community makers-space, called the Art Room, which Project ANiMA is using to construct the puppets. The center is supplying the materials for the project, which allows the construction of the puppets themselves to also demonstrate sustainability practices.

 

I was inspired to pursue this internship in ODU’s Grant Writing course when guest lecturer Jerry Keir of The Great Basin Institute spoke to our class. When asked about the best way to get into grant writing, Mr. Keir said that “Grant writing is a skill acquired out of necessity to make programs work and make partnerships function.” He encouraged us to be stronger grant writers by going out into the community and getting involved in the organizations that were in alignment with our goals. Essentially, find partners working on the things you care about and contribute to that partnership by bringing in resources. 

 

I put that into practice and approached the 757 Creative ReUse Center about partnering with us on Project ANiMA. In the early days of Project ANiMA we needed a 501(c)(3) community partner to host the project so we could bring in funding. I knew that the ReUse Center had experienced losses due to maintenance issues in their building and the grant funding for their Educational Director was due to run out. I recognized a need in an organization I cared about and also saw a way to fill Project ANiMA’s needs. By connecting them, I’ve been able to contribute to both causes I’m passionate about while advancing their shared goals through my internship. I have also been able to negotiate for 2 additional internship positions at the ReUse Center and am hopeful that those positions will become an ongoing opportunity for ODU students. 

 

Mr. Keir's advice also led me to network with other community organizations that aligned with Project ANiMA’s goals and the ReUse Center’s mission of sustainability. In turn, these connections have contributed to my research for Project ANiMA and provided more opportunities for other ODU students. For example, through networking I helped establish a partnership between the Climate Fresk initiative and ODU’s Earth and Ocean Sciences Graduate Student Organization, resulting in ODU’s first Climate Fresk event.

 

My coursework at ODU has been invaluable for success during my internship. The majority of my work consists of proposal writing for grant funding, planning education programs and working with project collaborators. As such, Dr. Robledo’s Grant Writing course has had the biggest influence on my work. In Grant Writing, I learned to analyze a potential funder's website and past awardees’ proposals to determine the best language and lens to write my proposal in. Similarly, another lesson I found helpful was analyzing the way elements of a proposal can be used to build up the narrative and ethos, such as budget items, project partners and data references. These techniques to hone rhetoric are similar to the way a job applicant should mirror language in a job listing on their resume and cover letter when applying for a position. Each element is an opportunity to persuade the audience that you or what you are proposing is the best candidate for their organization. 

 

The Creative Writing course, taught by Dan Heck, was helpful for developing the puppet play script and considering how different points-of-view can affect the narrative. Consideration of point-of-view and passive voice vs. active voice is also an important aspect of grant writing, since most funders prefer for active third person to be used in proposals. 

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ODU’s Editing and Document Design course taught by Dr. Swatek has provided valuable reference resources, such as Butterick’s Practical Typography and The Copyeditor’s Handbook by Amy Einsohn, as well as grammar assignments to strengthen my copyediting skills. I frequently recall lessons from the New York Times “Copy Edit This!” quizzes, which have helped me remember syntax and grammar rules during the proposal editing process.

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Even entering into this internship as well informed as I was, I still had a lot of room to grow. I had the opportunity to work with Meredith Ardnt, board member of the ReUse Center and experienced grant writer. Working with Meredith was an insightful experience, and her knowledge of  grant stewardship will help me navigate future grant proposals and funding opportunities. She showed me the importance of building a working relationship with members of funding entities to build rapport, credibility and trust to help ensure funding entities are invested in long-term support. Additionally, I had the opportunity to hone my proposal and collaborative writing skills by working on grant proposals alongside Meredith and Dr. Robledo. Stakeholder negotiations is another skill I exercised. Ensuring clear communication between the organization and project collaborators is key to the project's success.

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I plan to pursue a graduate degree in Technical Writing and continue to explore action-oriented convergence research. My internship with the ReUse Center gave me the confidence to know I have been well prepared by Old Dominion University to pursue a career in Technical Writing. I discovered that I enjoy grant writing and working on a collaborative team to further the goals of organizations I care about. It was exhilarating when I received notification that one of my proposals was successful and the ReUse Center would be receiving supplies to support their educational programs.

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My work through Project ANiMA and the 757 Creative ReUse Center illustrates how valuable coursework is for developing skills for a successful internship experience and how valuable internships are in creating a space for practical application of those skills. Additionally, Project ANiMA’s partnership with the ReUSe Center is a great example of how faculty projects and academic research can support the community through mutually beneficial partnerships with nonprofit organizations.

Project Summary: Grant Proposal

Schacht Spindle Company produces high-quality fiber arts equipment and offers equipment grants for art education programs through their Tools for Schools initiative. This was the first grant proposal I authored solo, I am proud to say that it was successful and the ReUse Center was 1 of 3 organizations awarded the grant. For this proposal, I also developed a summer weaving program to support the ReUse Center’s ethos of sustainability in art. During the grant writing process, I used the grant writing skills mentioned above, such as funder ethos analysis, non-narrative rhetoric and benchmarking. Additionally, I had the opportunity to use curriculum planning skills and explore socio-historical elements of fiber artwork. The Outcomes section of this grant was co-authored by Meredith Ardnt.

Organization History and Mission

Program Lead Artist Biography

Beth Dryer, the Executive Director of the 757CRC, has worked with rigid heddle looms and has extensive experience weaving on frame looms. She is also proficient in spinning with drop spindles and bottom whorl spindles. Beth has always been engaged in the arts and has valued second-hand materials for as long as she can remember. Some of her earliest memories are of sitting under her dining room table and listening to the hums and clicks of her mother’s sewing machine working above her. As small scraps of fabric fell to the floor, Beth would collect them and sew them directly onto her dolls. She was raised to take care of what she had and learned to fix or repurpose things when they broke. Adopting a Do-it-Yourself ethos early in life led her to a lifetime of learning through doing. Prior to founding the 757CRC, Beth sold her multigenre artwork made from found curios and repurposed materials under the name Goth Mom Collective. Having received no formal fine-arts education herself, Beth recognizes the importance of making the creative process accessible to everyone. The artist community that has formed around the 757CRC reflects her dedication to an inclusive and accessible creative environment. 


Cindy French of the Coastal Virginia Weavers Guild will also be providing instruction; her work can be seen on the YouTube channel Williamsburg Spinners & Weavers Guild. Cindy is proficient with several loom structures and is knowledgeable in many weaving techniques, including Inkle Weaving and Norwegian Band Weaving.

Program Description

Warp & Weft: Weaving Workshop Series

June 2025-September 2025

​The 757CRC plans to host guest artists for specialized spinning and weaving classes and collaborate with the Coastal Virginia Weavers Guild to offer an ongoing series of workshops. The project will help novice and intermediate textile artists wishing to develop their textile art skills and support advanced artists in their practice by providing them a forum to share their knowledge. The target audience for the project workshops is 13+. Additionally, as part of the workshop series, the 757CRC would like to offer foundational weaving classes modeled after the Schacht Kids Weaving Camp Curriculum for children ages 9–13.

Objectives and Outcomes for Program

This project fuels creative growth in Hampton Roads by bringing people together through weaving and spinning—connecting artists, students, and community members in a hands-on learning environment that sparks new ideas. Weaving isn’t just an art form; it’s a practical skill with deep cultural roots, and this program gives participants the technical know-how to create something meaningful while also opening the door to entrepreneurship.

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For artists leading the classes, this is a chance to hone their teaching skills and expand their influence in the cultural arts scene. For participants, it’s an opportunity to learn a craft that could turn into a side hustle, a passion project, or even a small business. More importantly, it’s about fostering a mindset of making rather than buying—supporting sustainability by reducing waste and encouraging people to use second-hand materials instead of mass-produced goods.

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At its core, this program is about connection: between amateurs and professionals, teachers and students, and community members learning from one another. It creates a ripple effect—by giving people the tools to create, we’re also giving them the confidence to experiment, problem-solve, and contribute to a creative economy that values sustainability.

Project Impact Without Grant

Overall, this project will support local jobs, wholesome artistic economic activities, and community integration as problem solving through economic arts development. If the 757CRC does not receive this generous grant, the project will be delayed until enough looms of the same style can be gathered through donations to the center. Consistency in loom style is essential for a learning environment and ensures that teachers can give accurate instructions to the whole class simultaneously. Without funding for the Sidekick Spindle, the 757CRC will be unable to repurpose donated fibers into usable yarn. This ability will support the 757CRC’s mission of sustainability, as the yarn produced on the Sidekick Spindle would serve as material for workshops. Without the grant, the 757CRC will rely solely on the community’s generosity and the timing of donations, which can be unpredictable. As a result, the project’s timeline will be uncertain, and it will take significantly longer for the 757757CRC to offer these enriching workshops to the community.

Program Materials

Schacht Spindle Company Tools for Schools Proposal

The 757 Creative ReUse Center (757CRC) is a non-profit organization dedicated to providing accessible and affordable second-hand arts and crafts supplies, while reducing waste and promoting reuse.The 757CRC was founded in Norfolk, Virginia, in 2018 by members of the community who were passionate about merging artistic practices with sustainability practices. The 757CRC’s mission is to provide accessible and affordable second-hand arts and crafts supplies. By collecting valuable supplies from the community, the 757CRC supports sustainability practices by promoting reuse and reducing the amount of waste entering landfills. In 2024 alone, the 757CRC diverted 44,098 pounds of materials from the landfill.

 

The 757CRC initially started as an arts and crafts supply swap, however, the amount of donated materials they received grew so much that they eventually needed a storefront. The 757CRC was successful in starting their first retail center in April 2019. Despite the many challenges brought on by Covid-19, the 757CRC’s popularity increased, leading them to quickly outgrow their retail space. In March 2023, they moved to a new location in the MacArthur Center that had enough space for a retail store and an art classroom, opening new possibilities for community outreach. 

 

The 757CRC is currently the only store in Norfolk, Virginia solely dedicated to affordable arts and crafts supplies and sustainable art practices. In their art classroom, the Art Room, the 757CRC leads workshops using second hand and reused materials, promoting their mission of sustainability. The Art Room also functions as a community makerspace, welcoming artist and community organizations to work on their projects during Open Studio hours. The center is frequently celebrated as a “gem” and “treasure” of the community. The 757CRC is committed to supporting a vibrant, inclusive art community where every artist–regardless of background or discipline–feels equipped and empowered to create.

Project Summary: Social Media Carousels

Social media promotion is an essential part of building a thriving community around an organization. The ReUse Center found that they received more interaction through reels on Instagram than regular posts. To support increased community engagement, I created this series to be used as a reel or regular instagram carousel. Benchmarking past social media posts was helpful for this task, I wanted to be sure my design reflected past work posted by the ReUse Center. Once I had an understanding of the existing aesthetic, I developed a ReUse Center Vision Board to prototype potential designs and draft concepts for future work. For the final results, I applied Design Theory principles, considering emphasis, balance, alignment, contrast, proportion, hierarchy, and repetition to ensure a professional but lively design.

Social Media Carousels

Project Summary: Call for Internship

During the course of my internship, I advocated for more internship positions to be available to Old Dominion University students. Impressed with my work and ability to contribute to the team, the ReUse Center decided that they wish to open more opportunities through the Monarch Humanities Internship Academy (MHIA). I helped facilitate communications between the Executive Director and Dr. Michael Thompson, the Assistant Director of MHIA. Additionally, I drafted and circulated this call for internship to support ODU’s Future Forward Strategic Plan for 100% of students to participate in internships or work-based learning opportunities before graduation by 2027.

Description

Creative Arts Facilitator Internship 

The 757 Creative ReUse Center has an internship opportunity for an artist with a passion for community impact, climate resilience, up-cycling, puppetry, textile art and paper/fabrics sculpture. Internship responsibilities include overseeing and tidying the Art Room during open studio hours. Our Art Room Facilitators also offer guidance when needed to help artists bring their ideas to life and overcome project challenges. Additional responsibilities include working on Project ANiMA tasks, such as designing, prototyping and creating puppet characters, as well as theater performance prototyping and set design.

 

The ideal candidate will possess skills in design, visual arts, sculpture, sewing, basic woodworking, and/or stage acting. Experience with basic sewing techniques and/or textile artwork does not need to be extensive but is required. Interns must be able stand for periods of up to 2 hours, bend, reach above the head, and carry up to 25 lbs. 

 

Schedule: schedule is based on the availability of intern and supervisors, some weekend work may be required. 

Hours: 10-15 hours per week, from May to August. 

Location: The 757 Creative ReUse Center, 300 Monticello Ave, Norfolk, VA 2351

Compensation: $15/hr, funded by the Mellon Foundation Humanities Internship stipend.

*Please note that this compensation is only available for specific majors, listed here

Art Room Supervisor: Beth Dryer

Project ANiMA Supervisor: Sydney Walker

How to Apply

To be considered for this internship position, please send a cover letter, Resume/CV and portfolio (if available) to Sydney Walker at swalk063@odu.edu. Please include in your resume a list of art mediums you are proficient in.

Call For Internship

​The 757 Creative ReUse Center in Norfolk is dedicated to providing accessible and affordable second-hand arts and crafts supplies, while reducing waste and promoting reuse. Our community makerspace, the Art Room, provides artists with access to a variety of materials and equipment to support their creative projects. The 757 Creative ReUse Center is partnered with ODU on Project ANiMA, a climate resilience puppet theater aiming to support local environmental literacy for K-3 students.

© 2023 by Sydney Walker All rights reserved.

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